好设计到底该不该拒绝网红？

好设计到底该不该拒绝网红？

白——观念性的白

White, conceptual white

东方的白从来都是一种观念，从中国画白描技法到泼墨留白意向，直至“白”通过宗教上升为观念性的“空”，至此算是一个集体思考的里程升级。而近代西方建筑也多用“白”，但西方的白是逻辑战略上的放轻或放弃，是简而“直白”。概念并不丰盈。“白”生于东方。

White in the East has always been a concept. From the techniques of line drawing in Chinese painting to the intention of leaving blank with ink splashing, until the status change to conceptual “emptiness” from “white” by means of religion, can be a milestone upgrading of collective thinking. Modern western architecture also uses “white”, but the western white is a logical strategy to lighten or give up, which is simple and “straightforward” with less concept. “White”, was born in the East.

回溯庄子在【人世间】讲“白”：虚室生白，吉祥止止。彼时“白”在虚无主义的边缘尚具有一些实质性的内容，如，凝寂。或，无用之用。也是，不智之智。庄子的“白”其实是有功能性的诉求的，他试图用“白”讲解一种通融自如的处世关系，“白”是其立身之道。

Review the preach of “white” in Zhuangzi’s The World of Human（Ren Jian Shi）：the emptiness and cleanness make a room well-ventilated while the peaceful heart brings wellbeing. At that time, “white” still had some substantial content on the brink of nihilism, such as silence or the meaning of useless. It’s also the wisdom of ignorance. The interpretation of “white” by Zhuangzi’s is actually a functional appeal. He tried to use “white” to explain a kind of flexible relationship. “White” is his way of life.